Choreographer Doug Elkins assembled a group of 13 dancers and re-imagined The Sound of Music as the spectacular Fraulein Maria, a 70-minute movement extravaganza that we attended Saturday evening. Excerpting the best music from the film, he developed dance set pieces to complement the music. The show verged on vaudeville, and it could very easily have stepped over that threshold. But in Elkins's skilled hands, it never took that fatal trip. Instead, most of the dances were humorous (but not slapstick) takes on the film music--truly inspired and very well performed by the "friends." A tall brunette female dancer and a well-built black male dancer (who was one of three Fraulein Marias in the show) were particularly skilled and masterful (they appear on the right and left, respectively, in the image above). Though an absolutely frenetic--nearly spastic--hip-hop version of "Climb Every Mountain" was the show stopper at the performance that I attended, I actually thought that the dance conceived for "Do, Re, Mi" was far more powerful, interesting and entertaining; it built and built in intensity until reaching its near-orgasmic finale. Bravo!
Fraulein Maria has been preformed fairly frequently in New York since it was created in 2006, and will be preformed there again this winter. I can understand why it keeps getting reprised. It's fun, engaging, and will surely become a milestone in the contemporary dance repertoire.
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In evaluating the show afterward, both of us agreed that we enjoy the huge but slightly more accessible American Craft Council show in Baltimore held at the end of February each year.
After we left the show, we went to Philadelphia's famous Reading Terminal Market, a huge space filled with butchers, bakers, and produce vendors, plus a lot of small restaurants. We had dinner at a creperie there--an interesting and out of the ordinary meal, for a change.
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