Showing posts with label nature writing. Show all posts
Showing posts with label nature writing. Show all posts

Monday, February 22, 2010

Ozark Winter


Since we're still pretty much buried in icy, thick, treacherous snow that makes visiting my local natural areas challenging, I thought I'd share excerpts from a letter I received from my best friend, a professional gardener and naturalist who lives in extreme northeast Oklahoma on the edge of the Ozarks.
As it was, I didn't work outside today; I cheated. I suited up warm and walked to yonder pond I've known since age 11. Ilex decidua (possomhaw to the laity) still in good berry, possibly thanks to having each its vigilant sassy mockingbird.
The sun had gone under but an entire large field of little blustem, redgold ripe, was a vision nonetheless. A Great Horned Owl was commenting softly in the forest fence that runs along the far west side of the pasture. Those woods have grown into such a fearsome tangle I no longer go to the pond that was my wildest haunt in the 1950s. Hackberry Pond I called it on acount of the massive old tree, lightning-struck picturesque and incredibly still alive the last time I checked a couple of years back...
On the airport side of the road leading downtown, the city does more and more building. Just this last year, they destroyed the last bit of quasi-original prairie.

Monday, February 15, 2010

Following the Water

Often on impulse, I walk out by myself:
Magnificent scenes, I alone know;
Walk to the source of the stream
And sit down to watch the clouds rise.

Wang Wei


Somehow, I missed the fact that David Carroll, author of one of my very favorite books, A Swampwalker's Journal, published a new compendium of essays in 2009, Following the Water: A Hydromancer's Notebook.

Carroll, who won a MacArthur Foundation "genius" award in 2006 for his work as a writer, artist, and naturalist has assembled a series of reflections on the watery natural world near his home in New Hampshire. The essays document Carroll's expeditions into a complex wetland ecosystem, and are arranged to coincide with the seasons. The book's namesake essay is the longest and occupies nearly a quarter of the book; most of the rest are far shorter--sometimes only one or two pages.

The book is intensely personal and introspective, perhaps even more so than Carroll's earlier works. I also found it to be touched by more sadness. His laments about the diminution of the natural world by human activity and population growth are more explicit and disheartening than the asides that he included in previous books. Nevertheless, Carroll writes elegantly and lyrically, and he transported me into the heart of the alder carrs and vernal pools he knows so well. No fan of Carroll's--or any Northeast naturalist--should miss this book.

Thursday, August 27, 2009

The Journey Home by Edward Abbey

The Journey Home

I just finished reading The Journey Home, a collection of 22 essays by Edward Abbey (author of the justly lauded Desert Solitaire) originally published in 1977. While Abbey and I are kindred spirits in lamenting the destruction and desecration of the natural world, the collection on the whole is only moderately satisfying.

Abbey is at his best when he combines his deeply personal recollections with a narrative thread. He accomplishes this best in "Hallelujah on the Bum" (retelling his hitchhiking and train-hopping trip from Pennsylvania to the West Coast and back in 1944), "Down the River with Major Powell" (an account of Abbey and two friends' trip down the Green River in Utah 101 years after John Wesley Powell made the first exploratory trip), and the second half of "Mountain Music" (in which Abbey recounts a climb to the knife-edged col between Mt. Wilson and Wilson Peak in Colorado). I also loved the three-page "Shadows from the Big Woods," but that's because it struck a particularly personal chord with me, but does not follow the "personal narrative" pattern of the other three excellent essays.

Slightly less effective are five other essays: "Disorder and Early Sorrow" (a very humorous recounting an ill-advised and ill-fated trip in a passenger car on an abandoned jeep track in Big Bend National Park in 1952), "Death Valley," "Manhattan Twilight, Hoboken Night" (written about the time Abbey spent in Hoboken, NJ, before the city became gentrified), "The Crooked Wood," and "Freedom and Wilderness."

Abbey stumbles in the remainder of the 13 contributions when he tries to be a naturalist and when he laments the loss of natural places. He's certainly spot on about his sentiments, but the essays come across as cynical and snide. Some are also outdated, especially "Return to Yosemite: Tree Fuzz vs. Freaks" and the longest contribution, "The Second Rape of the West" about strip mining for coal.

The book's only 239 pages long (in the hardcover edition I read) so it's not a major commitment. Plus, the great essays are gems to be savored.